PERSPECTIVES IN MINIATURE: October 2017

ARTIST STATEMENT

In the words of Wilbur Smith "War is the game played by old men with the lives of the young". The pawn in this game is the combat soldier, represented by the miniature toy soldier; an insignificant being on the battlefield. Combat is the most intense moment of war, where life and death balances on a knife's edge. The results are terrifying and reveal the worst part of our human nature. Conversely, there are moments when it exudes the best of our human spirit. Most of the miniatures you see here are diligently researched from historical sources and handcrafted between scales of 1/35 to 1/16 (approx 50mm to 120mm). The intricate rendition of human expression and fine details not only demonstrates the level of craftsmanship but also serves as a reminder of the fragile nature of human life. I represent no political bias though my miniature creations. My aim is to portray humanity through the chronicles of military history and thus it is my pleasure that I present to you my weblog Perspectives in Miniature.

Calvin Tan

WWII GERMAN UNIFORMS - PERSONAL MIXES BY CALVIN TAN

In conjunction with AK Interactive, this exclusive Gen 3 acrylic paint set is specially composed with the essential colours that I use to render WWII German Uniforms. It contains 18 colours and a small pamphlet with my personal colour mixes. If you are keen to acquire all the colours on my palette to paint a field grey tunic, a splinter pattern zeltbahn, an oak-leaf pattern smock or the Kharkov anorak, look no further, this is the set for you to get started.

CALVIN TAN'S BASIC GUIDE TO FIGURE PAINTING

This instructional DVD published by Model Art magazine was primarily developed for the beginner armour and diorama modeller in mind. The video presentation will feature a variety of easy to master techniques used to render a 1/35 scale plastic injected moulded figure.Topics include proper paint application techniques, choice of brushes as well as some little tricks for painting fine detail. It is fundamentally a showcase of some of my methods and techniques for painting military figures and I am certain it will prove beneficial for any modeller who wishes to improve on figure painting. It is currently available in both Japanese and English.

CALVIN TAN'S GUIDE TO CONVERTING AND PAINTING FIGURES

In this third instalment, I will share my techniques and materials to customize and detail an inexpensive stock plastic figure. Watch as I take you through the steps on how I modify a pose, model details such as hands, belts and webbing and insignias. Learn about working effectively with epoxy putty as well as plastic styrene and paper. As a continuation from my first two DVDs, I will demonstrate how to model and paint a simple groundwork as well as an alternate approach using a monochromatic underpainting to render both a field grey tunic and the World War 2 German Splinter Camouflage pattern on a helmet cover. If you have enjoyed and benefitted from those previous titles, this edition will be a welcome addition to your journey in scale figure modelling – regardless of your current skill level. It is my sincere hope that this could inspire you to embark on your own creative adventure in this fantastic hobby. .

Friday, 13 October 2017

Kudos to Michael Lee of Miniature Art Studio

Labels: Miniature Art Studio Posted by Calvin Tan at 17:21

I would like to extend a shout out to Michael Lee of Miniature Art Studio for keeping the Singapore flag flying with his remarkable tally of a Gold and a Bronze medal at the 2017 World Expo in Chicago last July. Michael is in my opinion perhaps one of the brightest stars of the figure modelling scene in Singapore and has been consistently churning out outstanding pieces in these recent years. Well done Myker!

Calvin

Thursday, 5 October 2017

Young Miniatures - Waffen SS Dispatch Rider, Ostfront 1944

Labels: Young Miniatures - Waffen SS Dispatch Rider Ostfront 1944 Posted by Calvin Tan at 18:27

Pleased to say that I am finally done with this piece. A very beautiful sculpt and a very nice subject to paint as well. Pure white and black were not used directly on this piece. Taking a page from Cezanne's play book, to depict white without the use of actual white paint, the illusion of intrinsic light had to be conveyed - i.e. the appearance of white under yellow and blue light. I personally find that this approach of painting is particularly effective for a bust as it helps to elevate the atmosphere and mood of the figure.