Alpine Miniatures - III/SS-PzGren-Rgt 2, Ardennes, 1944

During the past week, I found myself refurbishing an old Alpine Miniatures boxart completed back in 2010 with some additions to the groundwork and minor touch ups for the figures. 

I got into some creative mischief with the oil drums by toppling them over the edge of the base; "break the fourth wall" so to speak and adding some levity to the scene. 

Cheers,

Calvin

Alpine Miniatures - III/SS-PzGren-Rgt 2, Ardennes, 1944

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After a fruitful weekend of painting, here are some test shots of Sturmbannführer Josef Diefenthal and an accompanying NCO (no doubt modeled from the SS-Rottenführer with the MP-44 of KG Hansen at the ambush at Poteau) slated for release by Alpine Miniatures sometime soon.

Just to clear the air about Diefenthal's attire,it was brought to my attention before the commencement of this assignment by one of the co-authors of Duel in The Midst, Roddy Mcdougal l- from credible veteran accounts and close studies of war-time photos - Diefenthal was in fact wearing the Italian camouflage trousers at that time instead of the purported Oak-Leaf camouflage trousers.

With regards to color notes, I would like to mention that the choice of my color palette was steered by the principals of color usage of the Impressionists. Though I did not employ the same color mixes but should you prefer an "accurate" and less complicated guide may I recommend the following:

On the topic of painting principals, the Impressionists strongly believed that the shadow is not the absence of light but rather light of a different quality and value. Often so black/brown has always been used a convenient color to accentuate contrast with any subordinate color. The result is often stark, flat and lifeless. Not a bad thing for depicting conditions of war but what I am attempting to explore here is an alternative. Remember the Raw Umber wash technique to "shade" all colors fair and dull? Yes, it does create shades but in the process it also dulls and corrupts the color; especially the fair ones. Most of us including myself can get away by using dirt to generate shades but that however is not the only solution to create tonal contrast on a miniature space.

With this assignment, I attempted to enhance the dimension of the color field by substituting black for dark blues and violets in the shadows. This produces a much more natural appearance of shadows instead of just solid tones of black and brown. The key note about color is that its appearance is relative. Means to say that by itself against a white background it appears obviously violet but when juxtaposed against or over others and at a certain distance is perceived a dark value instead.

Using this technique of Broken Color as written by Camille Mauclair "produce upon the eye of the beholder the effect of actual colouring of the things painted, with a variety, a freshness and a delicacy of analysis unobtainable by single tone prepared and mixed upon the palette."

This is the main reason why I abstained from using colors straight from the bottle but instead mixed the shades and tones using primary and secondary color sources such as Park Green and Magenta. By varying the proportion of these component colors, one could generate more spectacular alternatives of tones and shades of Field Grey.

Complimentary color schemes are observed with the red-bias magenta for shadows and green-bias field grey as highlights. For the tunic and several parts, there are violet-bias for the shadows and yellow-bias for the highlights. In summary, I'm not creating dirt/soot effects but rather painting light to depict atmosphere to yield a more emotive and compelling result. Next week perhaps I shall continue to delve more into these principals to paint the 1/16 SS-Grenadier.

cheers,

Calvin

Alpine Miniatures - III/SS-PzGren-Rgt 2, Ardennes, 1944

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Just managed to cram in a little more work on the SS-Erbsenmuster pattern yesterday evening. Only remains to the painting of this figure would be the trousers and the spare head before moving back to Diefenthal.

Calvin

Alpine Miniatures - III/SS-PzGren-Rgt 2, Ardennes, 1944

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2009 is finally coming to an end and I cannot say that it has been a dull year with my ascension to fatherhood status. I was also very fortunate to be granted some time off by The Wife to attend the Lier Convention late last November to meet old friends and acquaint new ones. Modeling wise in retrospect, I did quite a lot of painting and did not recall sculpting much; which reminds me to resume work on an overdue commission I promised a long while back right after this assignment from Alpine Miniatures.

 

No prizes for guessing which genius sculpted this pair (not myself for sure) which serves as a companion set to Alpine Miniature's KG Peiper released almost a year ago. The sculpting does accurately portray SS-Hauptsturmführer Josef Diefenthal during the Ardennes Offensive and I do hope that the painting at this point helps reveal some semblance.

I also took some in-progress shots to document how I actually work (when not giving demos or making step by step articles); broad and looses strokes to establish overall harmony of colors, shades and tones, and refining the transitions and details as I go along. Though the process is very much arbitrary, the basic principals of light and shade, color harmony and craft very much apply.

That is the last time I check in for this year folks. See you on the other side of 2010.

Here's wishing everyone and all a Happy New Year!!!

Calvin