Tuesday, 8 October 2019
Just as I was about to lay the final strokes on the USMC bust from Young Miniatures, in comes a box art assignment from FER Miniatures courtesy of Fernando Ruiz for two 1/12 scale half figure/busts sculpted by Spanish sculptor Ramon Martinez.
This is probably one of the most exquisite sculpts I have come across in recent years. The sculpting of the drapery on the camouflage smock and the stoic expression is wonderfully captured. While it is not exactly a "recovery" project from the USMC MARPAT camouflage, I decided to ease matters by utilizing the colors composed by Jaume Ortiz in a ready to use set marketed by Vallejo Acrylics (VA) as a spring board.
I find the colors composed by Jaume for the Waffen SS camouflage set from VA be very ideal for painting the Palm Tree pattern as well as the Oak Leaf and Plane Tree patterns. There are two very unique colors in this set, Dark Black Green and SS Middle Brown which are not readily off the rack, which I particularly like. I have also made the switch to using Nevkaya Palitra sable brushes for the painting of this half figure.
The body has a much longer and slender body and has a little spring as you pull the brush across the painted surface. The paint stays wet longer and holds more paint than W&N Series 7 brushes. The Nevkaya sable works remarkably well if you are painting with a higher paint dilution. It is not recommended to work with a heavier body paint as it is not really designed for "pushing" paint due to it's slimmer body. I am however able to pull longer fine lines with Nevkaya sables as compared to the Series 7.
For this project, I devised a new system to ensure that the proportions of the camouflage pattern are accurately mapped to the figure. This involves creating a "pointer" to track the features of the camouflage pattern during the painting process. I initially created one by attaching a length of stretched sprue onto the ferrule of the brush with blue tac.
Needless to say , the Blue Tac and stretched sprue expedient proved to be too flimsy. Thus I fashioned a sturdier one one from a length of plastic rod and bore a hole at its base just large enough to secure it to the ferrule of the brush. I must say that it worked pretty well and it seems that I will be painting like this from this point on (pun intended).
Cheers,
Calvin
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