PERSPECTIVES IN MINIATURE: US Tank Crew, 2nd Armoured Div, ETO 1944-45

ARTIST STATEMENT

In the words of Wilbur Smith "War is the game played by old men with the lives of the young". The pawn in this game is the combat soldier, represented by the miniature toy soldier; an insignificant being on the battlefield. Combat is the most intense moment of war, where life and death balances on a knife's edge. The results are terrifying and reveal the worst part of our human nature. Conversely, there are moments when it exudes the best of our human spirit. Most of the miniatures you see here are diligently researched from historical sources and handcrafted between scales of 1/35 to 1/16 (approx 50mm to 120mm). The intricate rendition of human expression and fine details not only demonstrates the level of craftsmanship but also serves as a reminder of the fragile nature of human life. I represent no political bias though my miniature creations. My aim is to portray humanity through the chronicles of military history and thus it is my pleasure that I present to you my weblog Perspectives in Miniature.

Calvin Tan

WWII GERMAN UNIFORMS - PERSONAL MIXES BY CALVIN TAN

In conjunction with AK Interactive, this exclusive Gen 3 acrylic paint set is specially composed with the essential colours that I use to render WWII German Uniforms. It contains 18 colours and a small pamphlet with my personal colour mixes. If you are keen to acquire all the colours on my palette to paint a field grey tunic, a splinter pattern zeltbahn, an oak-leaf pattern smock or the Kharkov anorak, look no further, this is the set for you to get started.

CALVIN TAN'S BASIC GUIDE TO FIGURE PAINTING

This instructional DVD published by Model Art magazine was primarily developed for the beginner armour and diorama modeller in mind. The video presentation will feature a variety of easy to master techniques used to render a 1/35 scale plastic injected moulded figure.Topics include proper paint application techniques, choice of brushes as well as some little tricks for painting fine detail. It is fundamentally a showcase of some of my methods and techniques for painting military figures and I am certain it will prove beneficial for any modeller who wishes to improve on figure painting. It is currently available in both Japanese and English.

CALVIN TAN'S GUIDE TO CONVERTING AND PAINTING FIGURES

In this third instalment, I will share my techniques and materials to customize and detail an inexpensive stock plastic figure. Watch as I take you through the steps on how I modify a pose, model details such as hands, belts and webbing and insignias. Learn about working effectively with epoxy putty as well as plastic styrene and paper. As a continuation from my first two DVDs, I will demonstrate how to model and paint a simple groundwork as well as an alternate approach using a monochromatic underpainting to render both a field grey tunic and the World War 2 German Splinter Camouflage pattern on a helmet cover. If you have enjoyed and benefitted from those previous titles, this edition will be a welcome addition to your journey in scale figure modelling – regardless of your current skill level. It is my sincere hope that this could inspire you to embark on your own creative adventure in this fantastic hobby. .

Saturday, 15 December 2018

US Tank Crew, 2nd Armoured Div, ETO 1944-45

Took some time over the last two days to finish up the painting double for the filming of Calvin Tan's Basic Guide to Figure Painting DVD. The face and uniform are painted with Vallejo Acrylics and Andrea Colour according to the methods depicted in the DVD.

In this variant, I did not hand paint the the Armoured Division shoulder patch, but instead used the ones made by Archer Transfers. I adopted what I now call a "low depth of field" approach to painting; meaning to only direct the viewer's focus toward a specific point and blurring out the rest. I did so in this particular piece to circumvent the main drawback of injection moulded figures by only raising the tonal contrast of the areas that registers the best definition of details. Regions lacking in definition were rendered with darker analogous colours and low tonal contrast to reduce their visibility. A good example would be the use of Vallejo SS Camouflage Black Brown and Andrea Slate Grey to create the mud stains on the bottom of the overalls. This harmonizes the figure with the ground work to enhance the atmospheric perspective of the entire composition.